Muddled palette
The literature that I’ve read is a motley of hues of life. Give me a palette, and I will pinpoint it on the exact two ends: the light and dark.
Lyrical eulogies, a lament to the iridescence of life
whispering passed by, whether it is a tribute or a tirade for the bygones.
In the dog-eared poetry collections that I once upon a rainy afternoon perused through, there were eulogies full of mythical maidens vanishing under the mist, tributes to the gilded age of fleeting togas under the honey-streaked sun and recalls of the tranquil noons spent under sylph-like tree branches under which Dionysus’ saccharine stream of wine flows past the blood-red hyacinths.
There were also torments where the wind thrashes so
hard that the glimmer of the candle beside the quilt pen barely flickers, the
scribbles scratched in the dinginess of a confined cabin aboard a rocky ship
amidst the vast ocean, or the stanzas of exasperation during a murky winter
night and with the withering heat of the coal.
I’m too young to experience heartbreaks and torments,
but too old to immerse myself back in the fantasy land of the unknown facets of
time.
Poe isn’t here to console me on a tempestuous night,
nor Keats is here to pour into my ears the sweet lullabies of the lire like the
words rhymed in his odes.
What faces me here is a brick of life splattered with
all shades of gray, ready to be swung at full speed anytime. I can only count
all the greyness traversing back and forth, aching my eyes to the very core. Is
the exquisite harmony of art long gone?
And yet, what should I do? Wander away like a cloud in
Wordsworth’s, to nowhere I belong? Or run towards to catch the velocity of
life, embrace it with all I could, only to be suffocated with the immense
weight it thrusts?
I’m yet to find the answer, but for all my heart, I
yearn nothing less than this burlesque show of color that life brings, not
literature.
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